Why Had Dilip Kumar Affectionately Named Saira Banu His 'Pillow'?

Legendary actor Dilip Kumar's third death anniversary was commemorated by his wife and former co-star Saira Banu, who took to Instagram to share heartfelt anecdotes about their life together. Banu revealed a lesser-known aspect of Dilip Kumar's life, highlighting his struggle with severe insomnia before their marriage. 

Dilip Kumar Affectionately Called Saira Banu His 'Pillow'

She recalled how he would often stay awake until dawn despite taking medication, but after they married, he found solace in her presence, playfully calling her his "sleeping pill" and "pillow." These memories, Banu reminisced, still bring a smile to her face.

Another endearing incident Banu shared was about Dilip Kumar's deep love for music. He would arrange elaborate music sessions at home, enjoying the melodies. Despite his fondness for these gatherings, he would sometimes slip away to catch up on sleep. She fondly remembered a note he once wrote to her, humorously, "Feeling sleepy, what do you suggest, Aunty? ...Yours 100%"

Reflecting on Dilip Kumar's relationships, Banu highlighted his close bond with India's first Prime Minister, Pandit Jawaharlal Nehru, and other prominent figures from diverse fields. She described him as a steadfast supporter of sportsmen, sharing how he effortlessly played football and cricket, nurturing a dream to excel in sports on a national level. Check out her post here.

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Dilip Kumar, born on December 11, 1922, began his illustrious acting journey with the 1944 film Jwar Bhata. He went on to star in iconic movies such as Jugnu, Andaz, Aan, Daag, Azaad, Madhumati, Devdas, Kohinoor, Mughal-E-Azam, Gunga Jumna, and Naya Daur. His contributions to Indian cinema remain unparalleled. Dilip Kumar passed away on July 7, 2021, leaving behind a legacy cherished by millions.

On the professional front, Saira Banu debuted in 1961 with Junglee opposite Shammi Kapoor, earning a Filmfare Award nomination for Best Actress. Saira continued her acting journey with films like Bluff Master (1963), Ayee Milan Ki Bela (1964), Jhuk Gaya Aasman (1968), Padosan (1968), Victoria No. 203 (1972), Hera Pheri (1976), and Bairaag (1976), showcasing her versatility on screen.